Portret van Mohammed Ali, gouverneur van Egypte by Carl Mayer

Portret van Mohammed Ali, gouverneur van Egypte 1808 - 1868

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pencil drawn

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photo of handprinted image

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light pencil work

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photo restoration

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pencil sketch

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light coloured

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old engraving style

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historical photography

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old-timey

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19th century

Dimensions: height 241 mm, width 156 mm

Copyright: Rijks Museum: Open Domain

Curator: Good morning. We’re looking at a portrait of Mohammed Ali, the governor of Egypt. This piece is attributed to Carl Mayer and dates between 1808 and 1868. Editor: There’s an immediate formality to this lithograph that I find striking. It's framed like a cameo, suggesting the sitter’s importance and projecting a sense of historical weight. The tight framing emphasizes his commanding presence. Curator: The composition is indeed structured to convey authority. The stark contrast between the dark background and the intricate detail of Ali's features draws the eye immediately. The fine lines create texture. Note the way the light falls to accentuate his features. Editor: That starkness adds to the symbolic reading. The luminous beard, set against the darkness of his attire and background, signifies wisdom and piety. It’s as if the artist wanted to emphasize his intellectual and spiritual authority, a symbol deeply resonant in Islamic culture. Curator: Indeed, there is a duality at play here between the figure and the ground that echoes a contrast of earthly power and the spiritual realm. Observe the geometry in his garb; the x-shape formed by the straps across his chest suggests control. Editor: Precisely. These interwoven lines are like chains that show his leadership in keeping order and projecting control in a vast empire. In that sense, this is less a personal portrait and more an icon representing governance itself, invoking ideas of strength, order and religious duty. Curator: The application of value plays such a key role in generating those symbolic readings. Mayer uses simple values and tight mark making, but creates dynamic surfaces throughout the image to generate depth. Editor: Agreed. The portrait feels simultaneously personal and emblematic. I see him now, not just as a man, but as a representation of an era and the cultural memory associated with it. Thanks for pointing out these formal nuances. Curator: My pleasure. By studying the way an image is put together, how its materiality contributes to our viewing experience, we can uncover layers of information and decode the essence of art.

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