De berg Jungfrau tijdens een vakantie van de familie Wachenheimer, zonder personen afgebeeld, september 1935, Zwitserland 1935 - 1939

This is a photograph album page, created by the Wachenheimer family in September 1935 in Switzerland, featuring a series of small, black and white snapshots. The composition is defined by the rigid grid of the album page, within which each photograph is neatly arranged. These images, though devoid of human subjects, are rich in structural significance. Notice how the use of black and white flattens the images, reducing the landscape to stark contrasts of light and shadow. In one photograph, the imposing mountain range dominates the background, while a solitary building sits in the foreground. This creates a visual hierarchy, inviting us to consider the relationship between nature and architecture, the sublime and the mundane. The absence of people challenges traditional notions of landscape photography. Instead of capturing a specific moment or experience, the images seem to explore the very idea of place, stripping it down to its essential forms and structures. Consider how the interplay of light, shadow, and composition creates a semiotic system. These photographs invite contemplation on how we construct and interpret the spaces around us. The act of framing itself becomes a powerful statement about perception and representation.