The Meeting of Anne and Joachin at the Golden Gate (detail) 1514

Domenico Beccafumi made this fresco, "The Meeting of Anne and Joachim at the Golden Gate," using pigments directly applied to wet plaster. Looking at this detail, you can see how the artist has adopted the established method of fresco for the realization of the scene, though in his approach to the task, he also draws on his experience as a sculptor. The texture of the plaster and the way it absorbs the pigment give the scene a unique appearance. Beccafumi manipulated the plaster, imbuing his colors with greater luminosity and endowing his figures with a unique, tactile presence. The materiality of the fresco reflects the cultural significance of the scene, the way each color interacts with its surroundings and how they are perceived. Ultimately, "The Meeting of Anne and Joachim at the Golden Gate," is a testament to the convergence of artistic vision, technical skill, and a deep understanding of materials. By looking closely at the methods and matter that constitutes its making, we can overcome the traditional distinction between fine art and craft, allowing us to understand the full meaning of this work of art.