Portret van een staande kinderjuffrouw met baby op de arm by James Page

Portret van een staande kinderjuffrouw met baby op de arm 1857 - 1865

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photography

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portrait

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photography

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genre-painting

Dimensions: height 81 mm, width 49 mm

Copyright: Rijks Museum: Open Domain

Curator: Before us we have a portrait photograph from the mid-19th century, entitled "Portret van een staande kinderjuffrouw met baby op de arm," placing an Indigenous caregiver in full length against a muted background. Editor: It's rather stark. The almost clinical quality of the light, paired with the subdued tonal range, lends it an almost somber mood. How curious... Curator: Absolutely. And given the sitter's averted gaze, along with the formal rigidity, one finds in it an exploration into the language of early portraiture. Look at how the textural pattern on the caregiver's shawl interacts against the muted smoothness of her plain dress, forming interesting compositional lines. Editor: More than just an interesting composition, I see a visual document filled with layers. The visual contrast between the wet nurse and baby evokes deep-seated cultural codes and colonial dynamics, revealing historical roles of Indigenous women within the Dutch East Indies and beyond. Curator: Indeed. The stark lighting highlights her mature features, weathered through time, which further emphasize a visual discourse in realism and representation within colonial ethnographic practices. Her textured wrap and posture, the composition's focal points, subtly draw the viewer in, asking about the complex interplay of gazes, representation, and power. Editor: The softness of the infant juxtaposed with the knowing stare of the caregiver suggests a powerful—silent—narrative about dependency, protection, and cultural transmission. One sees here echoes of other works of colonial subjugation, like that found in European paintings but transferred and translated here via new world of photography and genre painting...a visual paradox! Curator: Yes, precisely, it’s through this stark juxtaposition of soft baby skin, and hardened features we encounter complex layers of socio-political tension that can be unraveled here through an approach to visuality itself. Editor: It speaks to the unacknowledged labor, a life lived, and a role thrust upon an individual and even an entire peoples. This simple photograph speaks volumes, doesn't it?

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