Portret van een zittende baby by Antonius Johannes Delboy

Portret van een zittende baby 1890 - 1894

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photography, albumen-print

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portrait

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aged paper

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toned paper

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muted colour palette

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light earthy tone

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photography

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nude colour palette

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albumen-print

Dimensions: height 83 mm, width 51 mm

Copyright: Rijks Museum: Open Domain

Curator: Antonius Johannes Delboy's "Portret van een zittende baby," created sometime between 1890 and 1894 using the albumen print process. Editor: Aw, it's giving me instant nostalgia. The softness, that dreamy, creamy palette—it's like looking into a sepia-toned memory. Curator: The photograph demonstrates a keen awareness of tonal gradation and compositional balance, wouldn't you agree? The limited palette—dominated by light earthy tones—serves to focus attention on the subtle interplay of light and shadow across the subject's face and garments. Editor: Absolutely! The lighting is almost angelic. The choice to print on what looks like aged paper adds this gorgeous sense of timelessness. It transcends being a mere portrait; it feels like an emotion, a whisper of a time long gone. What strikes me most is how the baby’s simple joy is immortalized so delicately! Curator: Indeed, the albumen print—a process involving coating paper with egg white—is responsible for its characteristic smoothness and delicate detail. You see how this technique would have captured minute details and achieve that lustrous sheen? It was prized for those attributes during that era. The photographer’s mastery lies in harnessing these properties to portray an innocent vitality. Editor: It’s an enduring appeal! In this one photo, we confront the essence of pure, unadulterated joy, a stark reminder in our complicated world. Plus, there's just something so intimate about old photography... imagining the photographer, the studio setting. This image manages to feel incredibly personal, almost invasive in its sweet portrayal. Curator: An insightful perspective, one that considers how we respond to material reality that speaks about human temporality. Delboy’s approach is quite rigorous. The composition focuses entirely on the form; all formal elements enhance the phenomenological impact of a very young individual. Editor: Well, it’s got me. I’m captivated! So much emotion and skill went into creating what at first seems like a simple photograph of a baby. It is rather extraordinary!

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