Dimensions: image: 192 x 147 mm support: 431 x 355 mm
Copyright: © Archivio Penone | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This intriguing sketch is by Giuseppe Penone, simply titled "[no title]." It looks like it depicts a feather, and I find it incredibly delicate and almost ephemeral. How do you interpret this work? Curator: It's fascinating, isn't it? The feather becomes a kind of portrait, a stand-in for something larger, perhaps even the self. Penone often explores the connection between humans and nature; here, it feels like he's asking us to consider our own fragility and connection to the natural world. Editor: That’s a beautiful way to put it. It makes me see the feather as more than just an object. Curator: Exactly! And isn't that the magic of art? It transforms the ordinary into the extraordinary, making us look, really look, at the world around us, and ourselves, with fresh eyes. Editor: I agree. It has certainly given me a new perspective.
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This is one of a suite of eleven images and twelve pages of text from the portfolio entitled Footsteps on Mulberry Tree Tops. The portfolio was produced in an edition of twenty-one plus four artist’s proofs. Tate’s copy is the twentieth in the edition, the first half of which was published in book form, the second as loose leaves in a box. The images were printed from plates made in the artist’s studio in San Raffaele, Turin by the publisher Jacob Samuel in Santa Monica, California. They were all made using the chin collé technique and a combination of softground etching, spitbite, hardground etching, whiteground aquatint and drypoint.