La largeur de l'aplatissement de l'os frontal 19th-20th century

Curator: Here we have Odilon Redon's "La largeur de l'aplatissement de l'os frontal," currently residing at the Harvard Art Museums. Editor: Initially, I'm struck by the stark contrast of light and shadow, and the rather severe expression on the subject’s face. Curator: Redon was deeply invested in the power of suggestion, especially through the symbolic use of physiognomy. The pronounced brow, for example, might signify intellect or perhaps a brooding nature. Editor: Or is it perhaps about reclaiming a narrative? Redon created art during a time when physiognomy was used to support racist ideologies, but his work transcends this. It's a complex study of perception. Curator: Indeed, Redon challenges viewers to interpret beyond superficial appearances. He invites a deeper psychological reading. Editor: Ultimately, it’s a reminder of art's capacity to both reflect and question societal norms. Curator: A poignant reflection that resonates across generations.