Dimensions: image: 192 x 147 mm support: 431 x 355 mm
Copyright: © Archivio Penone | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This intriguing print is by Giuseppe Penone, an Italian artist born in 1947, and is held within the Tate Collections. Editor: It’s incredibly delicate; the textured surface of the leaf almost feels like a topographical map in monochrome. Curator: Penone’s practice is deeply embedded in Arte Povera, emphasizing the process and natural materials. Editor: Right, he transforms commonplace materials into resonant forms, blurring boundaries between art and the everyday. How do we think this piece fits into the lineage of botanical illustration? Curator: The way the leaf is rendered, almost like a fossil, speaks to the passage of time and humanity's intervention. Editor: I find it compelling how such a simple form can evoke complex ideas about nature and our relationship to it. Curator: Absolutely, a profound statement conveyed through minimalist means. Editor: A powerful reminder of the beauty and fragility inherent in the natural world.
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This is one of a suite of eleven images and twelve pages of text from the portfolio entitled Footsteps on Mulberry Tree Tops. The portfolio was produced in an edition of twenty-one plus four artist’s proofs. Tate’s copy is the twentieth in the edition, the first half of which was published in book form, the second as loose leaves in a box. The images were printed from plates made in the artist’s studio in San Raffaele, Turin by the publisher Jacob Samuel in Santa Monica, California. They were all made using the chin collé technique and a combination of softground etching, spitbite, hardground etching, whiteground aquatint and drypoint.