The Entombment by Martin Schongauer

The Entombment c. 1480

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drawing, print, paper, engraving

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drawing

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medieval

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narrative-art

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print

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figuration

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paper

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northern-renaissance

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engraving

Dimensions: 165 × 115 mm (sheet trimmed within platemark)

Copyright: Public Domain

Editor: We're looking at Martin Schongauer's "The Entombment," created around 1480. It's an engraving on paper, and it’s incredibly detailed. The weight of the scene feels heavy, almost oppressive. What formal elements stand out to you most in this piece? Curator: Observe the strategic deployment of line, first. Schongauer’s cross-hatching defines form, directs the gaze, and articulates emotional depth. Where is the darkest concentration of lines and what effect does this produce? Editor: I see that the heaviest concentration of lines is around the figures carrying Christ and in the shadowy areas of the landscape in the background, emphasizing their physical presence, creating contrast, and maybe symbolizing darkness and grief? Curator: Precisely. Note how the rhythmic variations in line weight suggest not only depth, but texture – the coarse weave of garments, the smoothness of flesh. The composition leads the eye through a sequence of gestures and expressions. Are there particular visual relationships between figures that create harmony or tension? Editor: I'm drawn to the positioning of Mary, how she almost supports Jesus but averts her gaze. Her pose is so central and connects to the main diagonals formed by Christ's body and the empty tomb. Curator: Exactly. The arrangement of figures, combined with linear precision, results in a masterful presentation of the subject matter that elicits introspection and reverence. Editor: It's amazing how much emotion is conveyed through lines alone. Thank you. Curator: My pleasure. Considering this work's formalism enables a greater comprehension and admiration for Schongauer's ingenuity and the impact of linear expression.

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