The Incredulity of Thomas, from Speculum passionis domini nostri Ihesu Christi 1507

Editor: We’re looking at "The Incredulity of Thomas" by Hans Schäufelein, a woodcut from 1507. It depicts a crowd witnessing Thomas touching Christ’s wound. I'm struck by the dense hatching, it almost feels claustrophobic, and the figures appear rigidly posed. What's your read of the work? Curator: Formally, the density of line and lack of tonal variation create a flattened picture plane, defying traditional attempts at illusionistic depth. Notice how the artist uses line direction to model form but simultaneously reinforces the surface. How do the compositional choices impact the narrative? Editor: The converging lines draw the eye towards the figures of Christ and Thomas, emphasizing their interaction amidst the throng. Is this crowding intentional? Curator: Precisely. The compressed space focuses attention on the central action, utilizing a stark contrast in value to direct our gaze to the key exchange, minimizing any distractions. The artist manipulates graphic marks to guide visual perception. Note the minimal ground and simple architectural setting, how does that influence your interpretation? Editor: It puts the focus squarely on the figures, really heightening the emotional tension. It's clever how the artist uses a seemingly basic technique to create such a powerful moment. Curator: Yes. It reveals that even through such limitations the artist successfully presents symbolic depth via compositional intensity and formal restriction, resulting in complex interpretative potentiality. I had not considered the limitations of the technique to reveal intention of expression.