graphic-art, print, paper, typography, ink
graphic-art
dutch-golden-age
paper
typography
ink
watercolor
Dimensions: height 295 mm, width 370 mm
Copyright: Rijks Museum: Open Domain
Editor: This is a page from "Chronologisch overzicht bij het derde deel," made between 1653 and 1654 by Jan Philipsz Schabaelje. It’s an ink on paper print from the Dutch Golden Age, and honestly, it looks like organized chaos. How do you even begin to read something like this? What catches your eye? Curator: Chaos, yes, but purposeful chaos! Think of it less as something to “read” and more as a visual representation of history, wouldn't you say? It's like a family tree, or perhaps a timeline, bursting at the seams. I get the sense the artist wished to capture EVERYTHING and include his whole world within those margins. Notice how the typography itself becomes almost an artistic element – densely packed, a sea of information. How does it make you *feel* to see so much text? Editor: Overwhelmed! But also…intrigued. Like there’s some secret knowledge hidden in there. I'm curious, though – why this intense focus on text? Was image-making not so important at the time? Curator: Not at all! The Dutch Golden Age was exploding with visual art. I suppose in a world still somewhat limited in communication technologies the written word still packed an almighty punch and for the emerging literate classes, what better way to make sense of the world than a comprehensive illustrated guide? It almost speaks of faith. You give an overview, place your own era in time and hey presto. History as a form of narrative authority. If that makes sense! Editor: So it’s a statement of control, in a way? A way to organize and understand a complex world? Curator: Exactly! Think of it as an early form of information architecture. He organizes everything. It must have given the book's owner an unusual amount of knowledge for the era, but there’s also a great feeling of assurance behind it. As if its presence will ensure the world still spins, right? Editor: Wow, I never would have thought of it that way. I went from being intimidated to weirdly comforted. Curator: Me too, and that’s art doing its job, really. Revealing layers, stirring thoughts!
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