Wintersweet Blossom from a Flower Album of Ten Leaves 1656
paper, watercolor, ink
water colours
asian-art
leaf
paper
watercolor
ink
china
botanical art
watercolor
calligraphy
Dimensions: 12 1/8 x 9 1/16 in. (30.8 x 23 cm)
Copyright: Public Domain
Editor: This watercolor and ink on paper, "Wintersweet Blossom from a Flower Album of Ten Leaves," by Xiang Shengmo, created in 1656, has a certain quietness to it. The composition feels very delicate. What kind of symbolism do you think might be embedded here? Curator: The wintersweet itself is potent with symbolic meaning. Consider where it blooms - in the harsh cold of winter. What connotations might that evoke? Editor: Resilience, maybe? And perseverance... a sense of hope against the odds? Curator: Precisely. And notice its fragrance is often most potent when the weather is at its coldest. It can suggest incorruptibility, a spirit that thrives despite adversity. It represents those who maintain integrity through dark times, a very common trope in much of Chinese painting of this time, yes? Editor: Definitely. It makes me think about facing challenges and finding beauty even in the toughest times. Curator: Note the calligraphy, and how integral it is to the visual narrative. Are you able to interpret its message? It enhances this sense of scholarly virtue in the painting, doesn't it? Also consider what other flowers he may have included in his album, to have wintersweet blossoming. Editor: You're right, the calligraphy is definitely part of the art itself. Knowing that other flowers were possibly included does highlight the message and theme, and brings so much more richness to the image. Curator: It invites meditation, then, on resilience, integrity, and the enduring power of beauty amidst adversity. It offers a beautiful reflection of enduring values.
Comments
Xiang Shengmo was born into one of the most prestigious families in Jiaxing, a city in northeastern China. When the Manchu invasion reached Jiaxing, in 1645, many of Xiang’s friends and relatives died in a vain attempt to save their city. His homestead was destroyed and his family’s art collections lost. Following this upheaval, Xiang’s painting changed from an amateur, literati pursuit, becoming a source of income. Xiang was at the height of his technical and expressive powers when he created this album, featuring a wide range of flowers including wintersweet, cockscomb, apricot, pear, daylily, and cassia. He worked here in pure color without ink outlines and in shaded brushstrokes, which give the impression of three-dimensional modeling.
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