photography, gelatin-silver-print
portrait
impressionism
landscape
photography
gelatin-silver-print
monochrome photography
genre-painting
naturalism
realism
monochrome
Dimensions: Image: 23.2 x 29 cm (9 1/8 x 11 7/16 in.) Mount: 28.6 x 40.9 cm (11 1/4 x 16 1/8 in.) Sheet ((Interleaving Plate Sheet)): 28 x 40.7 cm (11 x 16 in.)
Copyright: Public Domain
Peter Henry Emerson made this photograph, "Poling the Marsh Hay," using a photographic process involving a glass negative. The print, made from that negative, results in a velvety, gray surface, an effect of the light-sensitive emulsion. Emerson was interested in capturing what he considered the authentic lives of rural laborers. The scene depicts workers gathering marsh hay, likely for animal bedding or thatching. Their labor is physically demanding, requiring them to navigate the marshy landscape, cut the hay, and transport it. The photograph's focus on these workers elevates their status, even as it records their toil. Emerson's choice of photography as a medium was itself significant. Photography, as a relatively new technology, offered a seemingly objective way to document the world. Yet, Emerson’s artistic choices, from composition to printing techniques, demonstrate that photography, like any medium, is shaped by the artist's perspective. It's a powerful reminder that even documentary images are constructions, imbued with social and cultural significance.
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