Georgia O'Keeffe by Alfred Stieglitz

Georgia O'Keeffe 1919 - 1921

0:00
0:00

photography

# 

portrait

# 

self-portrait

# 

pictorialism

# 

charcoal drawing

# 

photography

# 

modernism

Dimensions: image: 24.1 x 19.4 cm (9 1/2 x 7 5/8 in.) sheet: 25.2 x 20.1 cm (9 15/16 x 7 15/16 in.) mat: 55.5 x 46 cm (21 7/8 x 18 1/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: We're looking at a photograph by Alfred Stieglitz titled "Georgia O'Keeffe," taken sometime between 1919 and 1921. Editor: It’s remarkably intimate. The light and shadow create this really intense, almost ethereal quality. And the upward gaze... There's a vulnerability and strength intertwined, isn’t there? Curator: Absolutely. Stieglitz championed O'Keeffe; this image comes from a series of portraits intended to showcase her as both muse and modern woman. His gallery "291" played a key role in promoting modernism in America, providing a space to foster her artistic recognition. The pictorialist style here softened lines, creating an evocative portrayal, contrasting against sharply-focused industrial images also emerging at that time. Editor: Right, and thinking about photography at this time, Stieglitz was working against its reputation as merely documentation. The platinum print itself, and his darkroom manipulation, were central to elevating photography into high art. It becomes less about capturing a likeness, and more about Stieglitz, as maker, shaping an image with distinct material qualities. Curator: And with complex implications. Stieglitz framed O'Keeffe through his lens, constructing a narrative of her as a creative genius but inevitably influenced by his own artistic vision and personal relationship with her. One must question the power dynamics present when a male photographer so extensively portrays a female artist. Editor: It makes you wonder about the exchange of labor and creative input. Her image, processed through his hands and equipment, raises interesting questions about authorship and how their artistic identities were intertwined. Who is "making" the image? Whose perspective are we seeing? Curator: Exactly, seeing these photographs within their intertwined creative and romantic relationship invites discussions about their cultural impact. Stieglitz shaped how O’Keeffe was seen and received in art circles. Editor: Thinking about the contemporary moment now, these photographs can encourage discourse around gender dynamics and how they impact artistic creation. It is amazing to analyze it from our current vantage. Curator: This photo then leaves us contemplating the complex dance between artist, muse, and the machinery of artistic representation within evolving societal expectations. Editor: Indeed, a photo so layered. It allows us to reflect on relationships, the means of creation and artistic expression as intertwined things that affect our view.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.