Rebecca Salsbury Strand by Alfred Stieglitz

Rebecca Salsbury Strand 1922

0:00
0:00

photography

# 

portrait

# 

pictorialism

# 

portrait

# 

photography

Dimensions: image (visible): 24.2 × 19.3 cm (9 1/2 × 7 5/8 in.) mount: 56.8 × 45.9 cm (22 3/8 × 18 1/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Here we have Alfred Stieglitz’s 1922 portrait of Rebecca Salsbury Strand. What strikes you first about this gelatin silver print? Editor: An immediate sense of introspection and melancholy. The soft focus almost seems to veil her in thought, lending the composition a timeless quality. Curator: The photographic technique certainly reflects the pictorialist aesthetic championed by Stieglitz. Notice how the planes of her face subtly blur into each other, creating an ethereal effect. What feelings or ideas does the image suggest to you? Editor: It evokes the feeling of a pre-Raphaelite painting. This photograph feels steeped in Romantic symbolism; her downward gaze, her shadowed face. There's a narrative suggestion here, as though she's a tragic heroine lost in contemplation. Curator: I would add that Stieglitz’s portrait relies on the delicate manipulation of light and shadow to render her likeness, thus drawing our eyes in specific pathways. This play certainly reinforces your observation about her state of introspection. I think there's more here than narrative elements though. Editor: I concur; the simplicity itself is part of the symbolic communication. Stieglitz perhaps aimed to capture not just Rebecca’s likeness, but a universal feeling of reflective sorrow and that would track, knowing a great deal of his artistic decisions involved deep emotions and relationships. Curator: Precisely! His choice of the profile view also enhances the minimalist composition, focusing our attention on the delicate curve of her features and her averted gaze, while simplifying the representational meaning behind his rendering. The composition of form in relation to the emotions generated is really compelling. Editor: Looking at the almost monochromatic palette further adds to the feeling of melancholy. It's like the whole image is a study in subtlety and nuanced feeling, a window into a world of reflection. Curator: Absolutely. Seeing how Stieglitz uses tonal shifts to define her features, one sees the image transcends its surface qualities, pointing towards an emotional register beyond words. Editor: This reminds me to pause and ponder the subtle power of the photographic medium itself. This symbolic portrait of Rebecca truly stays with you.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.