Capital T c. 1527

Editor: Here we have *Capital T*, an undated woodcut initial from an anonymous artist in the Harvard Art Museums. The dense, decorative details are really striking. What's your perspective on this piece? Curator: Considering its production, the labor involved in meticulously carving such detail into wood for a functional, reproducible element is considerable. The material itself, the wood, grounds the artistry in a practical, almost industrial context. How does its inherent reproducibility affect your perception? Editor: That's a great point. It does feel more accessible knowing it was designed for reproduction. Thanks for that insight! Curator: And thank you for yours.