Rest on the Flight into Egypt 1612

Editor: Here we have Raffaello Schiaminossi's "Rest on the Flight into Egypt," an engraving from 1612, currently residing at the Rijksmuseum. The density of the lines give the whole piece a feeling of serenity, despite depicting what must have been a very stressful journey. The young child plucking fruit, Mary resting...it almost feels too peaceful. What do you see in this piece? Curator: It's the quiet moments in tumultuous narratives, isn't it? The stolen breath amidst chaos. For me, this engraving speaks to the idealized vision of motherhood that permeates so much Renaissance art – a haven of calm even during exile. What about the way Schiaminossi uses light? See how it falls gently on Mary, but leaves Joseph somewhat in shadow? Editor: Yes! Almost like protecting her… and Christ too, I suppose. Do you think there's symbolism in that contrast? Curator: I like to think of it not just as protection, but as a acknowledgement of different kinds of burden. Mary is resting, exhausted but luminous in her role, while Joseph remains ever vigilant. It adds another layer of depth to the very familiar tale, don't you think? What is really striking for me is also the way they are so deeply embedded into nature; nature offers its resources for their peace and recovery. Editor: I hadn't really considered the contrast that way, but now that you point it out, it seems really intentional! And that interplay with nature to provide, versus that idealized, almost too serene element… Curator: And isn’t that the power of art? The multiple entry points, the ongoing conversation! Each viewing offers new insights and perspectives, influenced by our own experiences. Editor: Definitely! This has been incredibly helpful, I really appreciate the new lens to consider while exploring it more.