1706 - 1712
The Molo, Venice, from the Bacino di San Marco
Listen to curator's interpretation
Curatorial notes
Luca Carlevaris painted this view of The Molo, Venice, from the Bacino di San Marco, using oil on canvas. The buildings and boats are bathed in a cool, diffuse light, which renders the architectural details with precision. Carlevaris’s approach to composition is striking. Notice the way the buildings are stacked across the picture plane: from the Doge’s Palace, to the Library and the Bell Tower. This creates a rhythmic interplay of horizontal and vertical lines, giving the painting a sense of balance. But look closer, and you’ll see that the artist creates depth and perspective, using orthogonals that converge towards a vanishing point. The use of aerial perspective softens forms and mutes colors, suggesting infinite space. The artist uses the architectural forms to articulate Venice as a city of power, commerce, and culture, while the brushstrokes suggest a living city. The painting becomes a complex sign, open to ongoing interpretation.