Interieur van de Sala de los Abencerrajes in het Alhambra te Granada, Spanje by C Maufsaise

Interieur van de Sala de los Abencerrajes in het Alhambra te Granada, Spanje 1906

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print, photography, architecture

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print

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photography

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geometric

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islamic-art

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architecture

Dimensions: height 245 mm, width 195 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a photographic print from 1906 of the "Interieur van de Sala de los Abencerrajes in het Alhambra te Granada, Spanje" by C. Maufsaise. The monochromatic image makes me feel like I am looking into the past; I am drawn to the repeating geometric patterns and archways. What is most striking to you when you look at it? Curator: Focusing solely on the visual, the most captivating aspect is undoubtedly the interplay of light and shadow. Observe how the photographer uses tonal variation to accentuate the architectural forms. Note the texture created by the light playing across the decorated surfaces. The contrast establishes depth, thereby converting a potentially flat image into a study of spatial complexity. Editor: That's interesting. I didn't think so much about the light before. Curator: Look closer. Note also how the artist creates a balanced composition. The verticality of the columns, coupled with the horizontal lines of the tile work, produce a structured and stable framework. Consider how that symmetry speaks to ideals of order, which were valued by cultures with a penchant for structured art. What would be altered, compositionally, if these relationships were otherwise? Editor: I can see how a different arrangement of elements could really change the reading of the work. I see what you mean about order in it, with the play of vertical and horizontal planes and simple geometry. Curator: Precisely. One begins to sense the inherent structure as a visual exercise rather than a reproduction of cultural sentiment, per se. By decoding it in terms of balance, shape and line, the viewer may appreciate its value, not solely as a historic relic but for the success of its underlying structural design. Editor: That has given me an alternative lens through which to view this print and others. I was previously only thinking about it contextually. Thanks! Curator: My pleasure. Sometimes, getting grounded in form, line, and balance can be more rewarding and even expose what had previously remained unconsidered.

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