Six Saints c. 1535

Editor: This print, "Six Saints," by Nicolò Boldrini, presents an intriguing gathering. I’m struck by the detailed engravings of the figures' robes and expressions. What can you tell me about it? Curator: Consider the material conditions of its production. As a print, it facilitates the reproduction and distribution of imagery. What implications does this have for the consumption of religious iconography in the 16th century? Think about the engraver's skill. Editor: So, it's not just about the saints themselves, but also about how this image was circulated and consumed in society? Curator: Precisely. The very act of creating a print democratized access to religious imagery, shifting power away from the church, changing how labor and religious meaning intersect. Editor: That's a fascinating perspective. I'll definitely look at prints differently now, thinking about their social impact. Curator: Indeed! And that’s the true sainthood of art!