New Künstlichs Modelbuch (Page 23 recto) 1600

Editor: Here we have Bernhard Jobin's "New Künstlichs Modelbuch (Page 23 recto)," created around 1600 using engraving on paper. The intricate, symmetrical patterns give it such a formal, almost architectural feel, despite being relatively small in scale. How do you interpret this work through a formal lens? Curator: The most compelling element is the play between positive and negative space, isn't it? Observe how the dense, dark engraved lines articulate intricate, almost labyrinthine forms. The contrasting white areas, the paper itself, create a dynamic visual rhythm. Editor: Yes, the balance is striking. I am wondering how the repetitive use of particular shapes affects the overall feeling? Curator: It generates a sense of unity and order. The artist uses line quality and varying the density to break this pattern by manipulating our perception and creating nuanced forms. Are we looking at geometric abstractions, or stylised representations of nature? It's purposefully ambiguous. Editor: The ambiguity is definitely key to the lasting fascination! I would have missed that without you! Curator: Indeed! It demonstrates how closely attending to formal components unlocks further depths. We find our attention drawn to texture, line and visual interplay. What do you make of that? Editor: Exactly! This pushes me to look closely, maybe even use this pattern as my artistic guide. Curator: Precisely, it invites experimentation and a heightened awareness of compositional possibilities.