Portret van Crescenzio da Jesi, 5de Minister Generaal van de franciscaner orde by Antonio Luciani

Portret van Crescenzio da Jesi, 5de Minister Generaal van de franciscaner orde 1710 - 1738

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print, engraving

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portrait

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baroque

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print

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engraving

Dimensions: height 250 mm, width 163 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this engraving, “Portrait of Crescenzio da Jesi, 5th Minister General of the Franciscan Order” by Antonio Luciani, probably made sometime between 1710 and 1738, feels really formal and restrained, but there's something almost serene about his expression. What jumps out at you when you look at it? Curator: Serene, you say? Hmm, perhaps that faraway look in his eyes hides a touch of world-weariness, wouldn't you think? Imagine the weight of his office, pressing down like the ornate frame surrounding his likeness. Look how Luciani uses those crisp, precise lines to create a sense of gravity. The man is literally encased in his position. A fascinating paradox, really. Does that scripted cartouche at the bottom amplify the imposing impression for you? Editor: I hadn't considered that. I was focused on the almost minimalist approach to the portrait itself. Is there any connection to the Baroque style beyond the general era it was made? Curator: Ah, excellent question! While it lacks the flamboyant drama often associated with Baroque art, observe how the composition directs your eye: first to his face, then swirling outwards along the inscription, finally resting on the rather self-important text at the bottom. The Baroque wasn't *always* about the high drama; it was also about persuasion, about directing thought and emotion. Can you see how Luciani subtly guides us to consider Crescenzio da Jesi's importance, not just visually but intellectually? Almost like an early form of… propaganda, perhaps? Editor: So, it’s a quieter kind of Baroque, meant to impress in a more subtle way. Curator: Precisely! And it makes you wonder about the intended audience. It isn't necessarily the artwork I would select to convey serenity; yet its complexity holds its own appeal, no? It hints at stories beyond what the cold lines may reveal. What do you think, has your view changed? Editor: Definitely. It makes me think that portraits aren't just images; they're arguments. Thanks for helping me see that.

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