Ruiterportret van kolonel José Manso y Solá by Antonio Vázquez

Ruiterportret van kolonel José Manso y Solá 1810 - 1817

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print, etching, engraving

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portrait

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neoclacissism

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print

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etching

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caricature

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old engraving style

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landscape

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history-painting

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engraving

Dimensions: height 285 mm, width 182 mm

Copyright: Rijks Museum: Open Domain

Curator: This is an etching and engraving, "Equestrian Portrait of Colonel José Manso y Solá," crafted sometime between 1810 and 1817 by Antonio Vázquez. Editor: There's something undeniably austere about the image, the monochrome tones lending it a stoic feel. Note how Vázquez arranges the composition to emphasize linear qualities and geometric shapes. Curator: Absolutely. The artist, Vázquez, positions the colonel prominently, astride his steed in what appears to be a proud, almost staged display of power and status, adhering to Neoclassical principles. The landscape is but an accent in service of the sitter, which enhances a very direct semiotic declaration, here, of hierarchy. Editor: Observe, too, how the values are handled—the contrasts aren’t terribly dramatic, yet it has enough contrast to still communicate with remarkable lucidity the subjects status and character Curator: As the name 'Manso' in the title suggests 'tranquility,' the very composure he embodies aligns seamlessly with the traditional archetype of a steadfast, esteemed leader, and that large hat and piercing look surely must signal a memory of Napoleon Editor: It's the detail that fascinates. Notice the minute lines suggesting texture, the subtle gradations rendering form. But I am drawn particularly to the balance that arises from the horse seeming almost as grand and powerful as its rider Curator: The etching provides historical and cultural insight beyond simple representation. This reflects, possibly, the evolving political circumstances of early 19th-century Spain, revealing much of a people at war. This work certainly prompts reflections about visual representations and power during transformative periods. Editor: It leaves me appreciating the craft itself and I wonder if there isn’t also in its restraint, a rather elegant subtlety in design and construction of this particular piece Curator: Ultimately, the enduring presence of works like this proves how much prints, whether political or military, echo through time and provide us ways to grapple with our past.

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