Portret van Wilhelmina van Pruisen, koningin der Nederlanden 1808 - 1848

Editor: This is a portrait of Wilhelmina of Prussia, Queen of the Netherlands, created with graphite, dating from sometime between 1808 and 1848. It’s currently held at the Rijksmuseum. It's delicate, isn't it? Such subtle shading with what looks like pencil or graphite. What do you see in the composition, the visual language here? Curator: Note the exquisite use of line. Observe how Barbiers defines form and texture through controlled variations in pressure. Consider how the circular format contains the subject, and how this compositional choice influences the viewer's perception of the Queen, drawing us in to scrutinize her features and deconstruct the image. How do you perceive the relationship between the detailed face and the more subtly rendered dress? Editor: Well, her face is certainly the focus. It feels almost hyper-realistic compared to the rest of the image. Her collar seems to be framing her face so the composition moves our eyes immediately to her face. Curator: Precisely. It is clear that our reading of the whole hinges upon this facial rendering. Now consider the geometry in the drawing itself, note that the artist is playing with circles - face, dress framing and collar - how does it contribute to our understanding of the sitter's presence? Editor: I see what you mean! It brings a sense of harmony to the image, almost echoing. It feels very balanced. It really makes me consider the thought process of the artist and the message that the geometry in this artwork has! Curator: Indeed! And what does it convey to you? Editor: The geometric features and use of space bring our focus back to the face. And so there are clear attempts at balancing and drawing attention to Wilhelmina in the portrait. Curator: Exactly, and perhaps even drawing a distinction between surface, that which is geometrically determined, and substance. Thank you! I shall look at this again with these points in mind.