Sneeuwklokje en twee cultivars by Crispijn van de (II) Passe

Sneeuwklokje en twee cultivars 1617

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drawing, print, paper, ink, engraving

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drawing

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print

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flower

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paper

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ink

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northern-renaissance

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academic-art

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engraving

Dimensions: height 135 mm, width 205 mm

Copyright: Rijks Museum: Open Domain

This engraving by Crispijn van de Passe the Younger, made in the early 17th century, depicts various types of snowdrop flowers with botanical precision. Yet, these are not merely flowers, but symbols laden with cultural significance. The snowdrop, with its delicate, drooping form, has long been associated with purity and hope. Think of the Renaissance, where similar floral motifs emerged in tapestries, signaling the renewal of life. It speaks to the human spirit’s yearning for rebirth, echoing in funerary art across centuries. The image engages us on a subconscious level, a primal recognition of the cyclical nature of life. Consider how this symbol has evolved. In some eras, these flowers are interwoven into religious contexts, representing the Virgin Mary's purity. The symbolic language is non-linear, cyclical, and enduring, resurfacing with new meanings across the ages.

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