Assumption of the Virgin c. 17th century

Editor: This is Jacques Callot's "Assumption of the Virgin," currently held at the Harvard Art Museums. The etching is incredibly detailed, and the composition is quite striking. What are your initial observations? Curator: The formal arrangement immediately grabs attention. Callot’s use of line and contrasting light and shadow creates a distinct separation between the earthly and heavenly realms. Consider the ascending orthogonal lines, and how the lower registers are grounded, dark, and heavy, versus the upper register. Editor: So, it’s primarily about how the image is structured and how that affects the viewer? Curator: Precisely. Note how Callot manipulates perspectival space to emphasize the Virgin's ascent. The composition guides the eye upward, reflecting a spiritual journey. Editor: I never thought about it that way. Thanks! Curator: Of course. Analyzing these formal elements reveals so much about Callot's artistic intentions.