The Roman antiquities, t. 2, Plate XVII. Burial Chamber just steps away from the family of L. Arrunzio. 1756

Giovanni Battista Piranesi created this etching titled "The Roman antiquities, t. 2, Plate XVII. Burial Chamber just steps away from the family of L. Arrunzio" sometime in the 18th century. Piranesi was known for his detailed and dramatic views of Rome, and this piece exemplifies his interest in the city's ancient past. The print meticulously documents the inscriptions and fragments found in a Roman burial chamber, capturing a fascination with antiquity that was characteristic of the period. Piranesi's work invites a dialogue between then and now, prompting viewers to consider the lives and identities of those commemorated in these ancient stones. Who were Pomponia, Campuria, and the others listed? What can their names and epitaphs tell us about their status, their relationships, and their experiences? The etching also invites reflection on gender and social roles in ancient Rome. The presence of both male and female names raises questions about the dynamics of family, legacy, and remembrance. Piranesi encourages us to consider the emotional and personal dimensions of history.