Moses Counting the Children of Israel by Anonymous

Moses Counting the Children of Israel c. 1270

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drawing, tempera, painting, ink

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drawing

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medieval

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tempera

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painting

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ink

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history-painting

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miniature

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watercolor

Dimensions: overall: 48.5 x 35.8 cm (19 1/8 x 14 1/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Look at this page, believed to date from around 1270. It presents a miniature painting using tempera and ink over a drawing, titled "Moses Counting the Children of Israel." It’s incredible how these materials have survived through the centuries, offering such insight into medieval life. Editor: My first thought is how incredibly detailed this is! The miniature practically bursts from the surrounding script. The colours in that illustration are still vivid, aren't they? And despite the small scale, the artist achieved a surprising degree of depth. Curator: The intensity of the colours—primarily blues, reds, and gold—does draw the eye. It’s important to consider how colour, particularly the application of precious gold leaf, elevated the image and reflected the patron’s status. Also, think about the function within this illuminated manuscript, likely a Bible or a book of hours. Editor: Function definitely dictates form. Note the rather regimented composition; Moses and two figures are portrayed against the background, clearly defined and separated. It lends to the importance of the central scene, and that sense of order extends to the precise, rhythmic script that surrounds the illustration. Curator: Precisely. It also reminds us of the socio-political role of imagery at the time. Such illustrations reinforced biblical narratives for a largely illiterate audience. Editor: Yet, there is a humanity that manages to peak through despite all that regimentation. See, for example, Moses' posture and facial expression as he directs his attention toward the children of Israel! The artist, in my view, struck a remarkable balance between conveying symbolic meaning and emotional resonance within such formal constraints. Curator: Yes, absolutely. That's a fantastic point, recognizing the artist’s skill within the strict artistic conventions. Thinking about the sheer labor that would have been involved—preparing the parchment, mixing the pigments, meticulously applying the gold leaf, and executing the miniature with such precision—it's astounding! Editor: Agreed! There's such clear visual elegance in "Moses Counting the Children of Israel," even while the historical contexts add immeasurable depth. Curator: Understanding this illuminated page requires more than simply appreciating its beauty, though. Understanding the artist's circumstances really enhances my appreciation of its cultural importance.

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