Blad met tien voorstellingen van de intocht van de Kardinaal Infant Ferdinand te Antwerpen, 1635 1691

Hendrik Causé created this print around 1635, depicting the Triumphal Entry of Cardinal-Infante Ferdinand into Antwerp. It's an engraving, meaning the design was incised into a metal plate, likely copper, and then printed with ink onto paper. The material of the print, paper, is itself significant. Paper allowed for the mass dissemination of images, turning propaganda into a commodity. The fine lines and intricate details showcase Causé’s mastery of the engraving technique, each line carefully carved to create light and shadow. This wasn't just about technical skill; it was about visually constructing a narrative of power and authority. Consider the social context: Antwerp was a major center of commerce and political maneuvering. This print, with its precise rendering of architectural structures and allegorical figures, would have served to commemorate and celebrate a key political event. It's a reminder that even seemingly simple materials like ink and paper can be powerful tools in shaping public perception.