Goudweger by Jean-Baptiste Anthony

Goudweger 1864 - 1909

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drawing, print, paper, engraving

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portrait

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drawing

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print

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paper

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11_renaissance

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genre-painting

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history-painting

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engraving

Dimensions: height 167 mm, width 136 mm

Copyright: Rijks Museum: Open Domain

Curator: The quiet hum of history whispers from this engraving, doesn't it? The piece is titled "Goudweger," or "Gold Weigher," and was completed sometime between 1864 and 1909 by Jean-Baptiste Anthony. I find the artist's close attention to detail just mesmerizing. Editor: Mesmerizing indeed. There's a starkness to it, though. Almost a somber stillness. The detail is fascinating, especially around his face and beard, but I find myself a bit saddened by the stark blacks and whites...like a memory fading at the edges. Curator: It's the Renaissance aesthetic, for sure. Gold, scales, closed boxes…all images relating to balance, materialism. The man himself with his tools, perhaps signifying a symbolic weight, both literally of the gold, but perhaps spiritually as well? Editor: Yes, exactly! The act of weighing itself becomes a symbol! Think about the scales of justice or even the act of measuring worth—human or otherwise. The objects hint at earthly gains, but also…at the consequences of earthly focus. That box on the floor, for example, I feel it speaks of temptation or sin, the weight of choices, perhaps? And the placement—we look down on it with him—feels very intentional. Curator: Precisely. These visual motifs create layers, deepening the artwork’s narrative beyond a mere portrayal of a historical figure, what I might describe as Genre Painting, or perhaps a subtle twist of historical narrative within portraiture. One cannot know for sure but that the artist was interested in these multiple dimensions of meaning-making. Editor: And this all works in concert with the overall feel. He’s caught in a pool of quiet, meticulous action... I am caught by his complete focus. His world is narrowed to those scales. Curator: What lingers for me is the dedication that went into producing the work. There’s a sensitivity evident, which almost transcends time. Like finding a quiet moment amidst our own relentless march. What do you think? Editor: For me, it is the power of objects to convey emotional weight and memory and the quiet intensity. Perhaps it's a reflection on mortality, a gentle reminder that our time, like gold, is precious and should be weighed with care.

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