This is worse 1815

Editor: We’re looking at Goya's etching, "This is Worse," from 1815. It's stark, and incredibly unsettling. There's this raw, brutal feel to it. What social commentary do you see embedded in this work? Curator: This print, part of "The Disasters of War" series, functions as a fierce indictment of conflict and the violence inflicted upon ordinary people. The disturbing imagery, that man bound and exposed, wasn't simply a depiction of war's atrocities but also Goya's means to confront the socio-political dynamics of the time, especially the Napoleonic occupation and the subsequent restoration of the monarchy. Editor: It’s interesting to think of it as a political statement, given the time. What does the figure's nudity suggest, beyond just the literal depiction? Curator: The figure's nudity is highly significant. It signifies vulnerability and complete loss of power. Stripped bare, the figure becomes representative of all those brutalized and dehumanized by conflict. The surrounding figures with weapons, symbols of power, emphasize this unequal power dynamic, making a profound statement about the abuses of authority during times of war and political upheaval. How does Goya’s technical skill emphasize the activist message? Editor: The stark contrasts in the etching really heighten the drama and underscore the brutality. The lack of embellishment, the rawness… it’s all very effective in conveying the message. I hadn’t thought about the lack of color as a kind of stripping-down as well, leaving the ugly truth exposed. Curator: Exactly. So, when viewing this etching, we must recognize that it is not just an aesthetic experience, but also an important historical document, laden with social critique and empathy for the victims of violence. Editor: This makes the print even more compelling. It pushes beyond a simple depiction of war, revealing a complex intersection of power, violence, and dehumanization. Thank you!