Untitled 

Here we see a ceramic piece made by Christian Royal. Its square form, with a smooth interior and a floral blue and white glaze, immediately grabs our attention. The composition is intriguing: the central void is framed by dense floral patterns that crawl up the sides. Royal's visual language employs a clear semiotic system. The blue floral design against the white recalls traditional Delftware, evoking notions of domesticity and history. But it also disrupts these meanings. The piece isn't merely decorative; the asymmetrical arrangement and the stark contrast between the empty center and adorned edges create a dynamic tension. The choice of a square form further underscores the deviation from traditional circular plates, hinting at a contemporary intervention in conventional design. Consider how the piece functions as a cultural signifier: it’s not just a dish, but an object mediating ideas about heritage, utility, and modern aesthetics. The work encourages a reflection on the interplay between form and function, inviting us to question fixed meanings and embrace new interpretations.