Pretiosa Gemma delle virtuose donne, page 2 (recto) by Isabella Catanea Parasole

Pretiosa Gemma delle virtuose donne, page 2 (recto) 1600

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drawing, print, textile, paper, typography, engraving

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drawing

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parchment

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print

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book

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textile

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paper

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typography

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italian-renaissance

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engraving

Dimensions: Overall: 4 3/4 x 6 11/16 in. (12 x 17 cm)

Copyright: Public Domain

Curator: What strikes me immediately about this image is its intimacy—it feels like a secret, shared across centuries. Editor: Indeed. This is page two from "Pretiosa Gemma delle virtuose donne," a work by Isabella Catanea Parasole, dated around 1600. Housed at the Metropolitan Museum of Art, this delicate piece combines print and engraving on paper. I find the sharp contrast of the type against the paper visually compelling. Curator: The black letter forms feel solid, like architectural blocks, yet there's also a flowing elegance. This page acts as a dedication, addressed to Donna Gieronima Colonna, as it explains Isabella’s widespread influence, presented to a noblewoman. Editor: And what of the overall structure? The text is densely packed. Note how Isabella crafts with the top half set apart from the lower half with what seems like two sets of printers ornaments in between? Then that elaborate initial "C," is more ornate, leading us into the meat of the communication. The arrangement creates visual rhythm, directing our gaze. Curator: The initial “C” you mentioned has an abundance of cultural connotations: think knowledge, secrets, community. See the miniature figures within? What kind of community does it show in the dedication to the woman? What are we not seeing? Editor: Possibly. As a design choice, the 'C' seems functional, but as it pertains to the content or a visual narrative to me is rather opaque. More simply, the way the letters dance and crowd together contributes to the text’s dense texture overall. The eye lingers. I note how a contemporary reader may perceive and navigate its intricacies, in terms of form, composition, and detail. Curator: I think that at this moment in history a page such as this communicates that women are influential people in their societies with ideas and connections to money and each other. The women here show how imagery persists as markers of remembrance and meaning-making. Editor: I find it captivating how a relatively small printed object like this speaks volumes about a society's visual and intellectual landscape. Curator: I agree; a beautiful portal into a world of female accomplishment.

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