Guardian angel c. 16th century

Curator: This is Pietro Aquila's "Guardian Angel", created sometime between 1650 and 1700. It's currently held at the Harvard Art Museums. Editor: It's striking how the angel is both powerful and tender, the way it swoops down to protect the child. It’s a rather sweet composition. Curator: Absolutely. The engraving, typical of the period, played a crucial role in disseminating religious imagery to a wider audience. Aquila, through his reproductive prints, made art accessible. Editor: Look closely at the materiality—the fine lines, the cross-hatching. It really speaks to the engraver's skill and labor. The paper itself tells a story of production and consumption. Curator: The image of the Guardian Angel became popular during the Baroque era, reflecting increased emphasis on personal piety and divine protection, particularly promoted by the Church. Editor: It’s interesting to consider this print in relation to the social context of its creation. Was it intended for a wealthy patron's collection, or for mass distribution to the devout? Curator: Both possibilities exist. Regardless, it's a potent reminder of the public function of art in shaping religious beliefs and experiences. Editor: Seeing the labor and materials so closely tied to the spiritual message gives me a new appreciation for its creation.