Holy Family c. 16th century

Editor: This is Gysbrecht van Veen's "Holy Family," undated. It feels so intimate, the way the figures are grouped together within that oval frame. What catches your eye in terms of its composition and form? Curator: Note how van Veen employs a delicate yet precise engraving technique. The density and directionality of the lines create form and shadow, giving the figures a subtle sense of volume within the shallow space. Consider also the relationship between the radiating lines from above, drawing the eye to the figures below. Editor: It's amazing how much depth is created with just lines. I really appreciate that focus now. Curator: Indeed, van Veen masterfully manipulates the visual language available to him. Now, can we consider the Latin text below the image? Editor: This close reading really brought the form into focus. Curator: Agreed, I will never look at line work in the same way again.