The head of the Virgin looking up to the right, in an oval frame, after Reni 1645 - 1672

Adrian van Melar created this print of the Virgin Mary, after Reni, using engraving techniques. The composition is dominated by the Virgin’s head, framed by a radiant oval, immediately drawing the eye. The artist masterfully uses line and light to create an ethereal quality. Notice how the delicate strokes define the Virgin’s face, capturing a sense of serenity and upward focus, almost inviting our gaze heavenward with hers. The oval frame isn’t merely decorative; its radiating lines suggest a divine light emanating from the subject, emphasizing her holiness. Below, a banner with Latin text adds another layer, rooting the image in a tradition of religious art while inviting viewers to contemplate the relationship between the visual and the textual. This work transcends simple representation, instead acting as a carefully constructed sign, inviting contemplation on faith, beauty, and the divine. Consider, though, that interpretation shifts with time and context.