The Savior with the Globe in his Hand 1620 - 1670

This is an engraving of the Virgin Mary, made by Grégoire Huret in France, sometime in the 17th century. The image is striking for its combination of religious symbolism and fashionable aesthetics. The halo of light and Mary's modest attire mark her sanctity, while the delicate lines of the engraving and the elegant pose reflect the refined tastes of the French court. This was a period of intense religious and political conflict in Europe, and images of the Virgin Mary were often used to assert the authority of the Catholic Church and the French monarchy. Huret himself was closely associated with the court, and his engravings often served to promote its interests. His status within the Royal Academy gave him a platform to disseminate these views widely. To fully understand this image, scholars might consult contemporary religious texts, political pamphlets, and art criticism. By examining the social and institutional context in which it was made, we can gain a deeper appreciation of its complex meanings and its role in shaping the cultural landscape of 17th-century France.