bay-area-figurative-movement
Dimensions: sheet: 41 x 63 cm (16 1/8 x 24 13/16 in.)
Copyright: National Gallery of Art: CC0 1.0
Nathan Oliveira made this print, Tamarind Suite I, using lithography. This process involves working on a stone or metal plate with greasy materials, then applying ink that adheres only to those areas. The resulting image has a rich, tactile quality. See how the velvety blacks and browns create a sense of depth, while the touches of red, yellow, and white provide a focal point. Lithography is a printmaking technique that allows for great tonal variation. Look closely and you'll notice the subtle gradations of color, achieved by layering inks and manipulating pressure during printing. Oliveira was a master of this process, using it to create haunting, evocative images. Lithography, as a repeatable medium, inherently suggests the modes of production. Oliveira's engagement with it places him in a longer history of artists who have explored the relationship between labor, art, and the democratization of images. Appreciating the technical skill involved allows us to see beyond the image itself and consider the broader cultural context in which it was made.
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