Vis 1884 - 1952

Editor: This is “Vis,” a pencil drawing by Reinier Willem Petrus de Vries, created sometime between 1884 and 1952. There's a simple, almost scientific illustration quality to it. How do you interpret this work? Curator: That’s a keen observation. We can consider this drawing as part of a larger historical dialogue surrounding representation and power. How do visual depictions of non-human animals intersect with human concepts of dominion and control over the natural world? Editor: That's an interesting angle! So you're suggesting this isn't just a drawing of a fish, but a reflection of humanity's relationship with the environment? Curator: Precisely. Vries’ drawing can be analyzed through an ecocritical lens, prompting us to consider the historical context of colonialism and resource extraction during the artist's lifetime. We can examine how such images may reinforce ideologies of dominance and contribute to environmental degradation. Do you see any symbolism in the simple lines, for example? The implied submission? Editor: I see what you mean. The fish is rendered so plainly, almost like a specimen. It removes the animal from its natural habitat. Thinking about it that way changes the tone entirely. It’s not just a simple sketch; it becomes loaded with socio-political implications. Curator: Exactly. Recognizing these dynamics encourages us to question the power structures inherent in visual culture and inspires conversations around decolonization and environmental justice. Editor: I had not considered ecocritical themes in what appears to be just an illustrative sketch! Curator: Sometimes, the most powerful critiques are embedded in seemingly simple forms. I think we can agree that what appears, initially, as a rudimentary image provides room for profound thought and conversation.