Untitled (Large Abstract Figure) c. 1948

James V. Harvey made this untitled print sometime before 1965 using a metal plate. It looks like he worked into the plate with a sharp tool to create an image that is both abstract and figurative; a really nice combination. The use of hatching here gives a sense of texture, almost like fabric, and it creates an intriguing dialogue between the ochre and grey tones. It’s tempting to try and unravel the story of this implied figure, but maybe it’s more interesting to consider this as a set of processes. Look closely, and you can see the physical act of mark making. The composition is carefully balanced around a horizontal axis, creating a mirrored effect, or perhaps a reflection in water. Harvey’s willingness to embrace ambiguity reminds me of the British painter, Alan Davie, who similarly combined abstract and figurative elements with a kind of playful energy. What do you think?