Dimensions: height 344 mm, width 233 mm
Copyright: Rijks Museum: Open Domain
Editor: This is a printed portrait of Gottfried Ludwig Lingkius from 1738, created by Christian Philipp Lindemann. It's done in engraving on paper, and it's fascinating how detailed the artist managed to make it, given the medium. There's an oval frame and Latin text surrounding the portrait, adding to that formal feel of the Baroque. What do you see in this piece? Curator: Oh, but it whispers secrets, doesn't it? To me, it's a little like peering into the mind of the engraver as much as into the face of Herr Lingkius himself. Consider the line, the delicate dance of light and shadow coaxed from cold metal onto paper. See how that Baroque flamboyance practically *boings* from the wig, those confident swirls promising power and position! It makes you wonder, what secrets did Lingkius hold as secretary? Did he dabble in intrigue, maybe write spicy letters under candlelight? Editor: Intrigue, definitely a good word to describe it! I didn't immediately get that from his expression. The Latin text seems pretty straightforward in praising his virtue. Curator: Oh darling, trust the wig, not the words! Political portraits were the Instagram filters of their day – everyone wanted to project an idealized self. And honestly, don't you think that wig *wants* to tell a story, a juicy little court scandal or two? What is really striking is that an image printed could so easily capture social-political ideas about status and personal standing. Does it strike you that engravings like these also reveal something important about artistic collaboration and dissemination in this period? Editor: That's an interesting way to put it. It definitely shifts my understanding away from it just being a flat historical portrait to seeing it as part of a bigger communication network. Thanks for the insight. Curator: My pleasure! After all, it's in that kind of shared observation that art comes alive, isn’t it? It starts with the surface, a mere face, and quickly unravels into something deeply human, delightfully suspect, and utterly timeless.
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