Old Chinatown : a book of pictures by Arnold Genthe

1913

Old Chinatown : a book of pictures

Listen to curator's interpretation

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Curatorial notes

Editor: This is "Old Chinatown: a book of pictures" by Arnold Genthe, printed in 1913. It looks like a gelatin silver print, depicting a street scene. I’m struck by the intimate glimpse it offers into a community, but there's also a melancholic feel to it. How do you interpret this work within its historical context? Curator: The melancholy you perceive is crucial. Genthe’s photographs of San Francisco’s Chinatown, including this particular print, operated within a complex historical moment. Think about the sociopolitical forces at play: anti-Chinese sentiment, discriminatory laws, and the visual tropes that exoticized and, often, denigrated Chinese immigrants. How do you think Genthe’s work, as seen here, interacts with these broader historical currents? Editor: I see it’s tempting to fall into Orientalist tropes, romanticizing or exoticizing the culture, but there's also a clear attempt to document everyday life. Is he consciously trying to push back against negative portrayals, or is he still bound by his own biases? Curator: That's the vital question. Consider who the book was for: a presumably white, middle-class audience. Genthe's aesthetic choices, while perhaps intending to showcase a community, could still reinforce existing power dynamics. Did the publication of these images in a book format solidify or challenge existing perceptions of Chinatown? Editor: I hadn't thought about the act of publishing these pictures itself as part of shaping the narrative. I guess the intention, while perhaps good, can still contribute to a larger, more problematic historical narrative. Curator: Precisely. The very act of "picturing" Old Chinatown involves a degree of selection, framing, and therefore, interpretation. Examining those choices allows us to unpack the complex relationship between photography, cultural representation, and social power. Editor: Thanks. I'll definitely look into the sociopolitical context of Genthe’s other photos of Chinatown and consider the implications of Orientalism on this community.