Marc-Pierre de Voyer de Paulmy, comte d'Argenson 1754 - 1780

Editor: Here we have Antoine de Marcenay de Ghuy's portrait of Marc-Pierre de Voyer de Paulmy, comte d'Argenson. It’s a small print, almost like an official document. What strikes you about this piece? Curator: It’s interesting to consider the socio-economic implications of printmaking at the time. The lines, the paper, the ink – these were all commodities, and the creation of multiple copies democratized access to the image, while also serving the purposes of the elite it portrays. Editor: So, the material betrays the subject’s elevated status? Curator: Precisely. The means of production, once exclusive to the wealthy, are now employed to depict wealth, creating a fascinating tension. What are your thoughts? Editor: I hadn't thought about the commodification aspect of the printmaking itself. Thanks! Curator: A new lens allows us to appreciate the work in its totality.