Male Left Leg, for "The Tree of Forgiveness"; verso: Male Head and Torso c. 19th century

Editor: This is Edward Burne-Jones' "Male Left Leg," a pencil drawing. It's surprisingly detailed for a study, and I am wondering about the type of paper and pencil he was using. What stands out to you about this piece? Curator: The paper's texture, the pencil's grade – these are crucial. Burne-Jones' access to quality materials reflects a certain social class, enabling this level of detail and study. How does this emphasis on process influence our understanding of the final painting, "The Tree of Forgiveness"? Editor: That's a good point. I never considered that his social status impacted the work itself through material availability. Curator: Exactly. The means of production are not neutral; they shape the artwork and our perception of it. We must think about labor, materiality, and consumption. Editor: This has definitely changed my perspective on Burne-Jones' work! Curator: And that is a key benefit of examining art through a materialist lens.