Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 12 (verso) by Domenico da Sera

Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 12 (verso) 1532

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drawing, ornament, print, paper

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drawing

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ornament

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toned paper

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print

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book

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pattern

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paper

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11_renaissance

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geometric

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geometric-abstraction

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line

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italian-renaissance

Dimensions: Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm)

Copyright: Public Domain

Editor: Here we have page 12 from *Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti,* created in 1532 by Domenico da Sera. It's a print on toned paper, and it looks like a detailed pattern. What’s interesting to me is how abstract and modern it feels despite being so old. What do you make of this Domenico da Sera design? Curator: You know, it's amazing how relevant these historical patterns still are. The Renaissance was all about rediscovering classical ideals, and this, to me, seems like a fantastic marriage of ancient geometric principles and a very modern sense of artistry. It’s a blueprint! Imagine women (mostly) of the era, poring over these pages to create incredibly intricate needlework. This wasn’t just decoration; it was a deeply embedded cultural language. Can you see how each shape and line could become a stitch, each page a community project? Editor: I can! I didn’t really think about it being a pattern for needlepoint. It seems more abstract when you consider it on the page rather than the finished textile. Were there any particular symbolic meanings woven into these patterns, or were they primarily decorative? Curator: Oh, there are always potential symbolisms, but I think the emphasis here is really on the artistry of construction. These patterns empowered women to add artistry and individual expression to clothes and tapestries at a time when their autonomy was scarce. But perhaps the simple act of applying geometric design, the very architecture of the cosmos, to domestic craft held a certain power. Don't you think? Editor: Absolutely, the idea of transforming everyday life into art… that’s powerful. It's definitely a new way to look at Renaissance art for me! Curator: For me, seeing this gives me a beautiful image, like bees diligently working on their honeycomb. Every precise movement of the needle results in a beautiful, enduring pattern. A quiet revolution of thread.

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