Isabella, Duchess of Grafton by John Smith

Isabella, Duchess of Grafton 1692

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drawing, print, charcoal

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portrait

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drawing

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baroque

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print

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charcoal drawing

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charcoal

Dimensions: image: 12 3/16 x 9 3/4 in. (31 x 24.7 cm) sheet (trimmed to plate mark): 13 3/8 x 9 13/16 in. (34 x 25 cm)

Copyright: Public Domain

Curator: Oh, look at this print, a charcoal drawing titled "Isabella, Duchess of Grafton." It dates back to 1692. What are your first thoughts? Editor: It feels a little staged, doesn't it? Like she's mid-pose, caught in an artificial moment. The pointing finger…is she commanding something, or simply showing off? Curator: Ah, the symbolism! In Baroque portraiture, that gesture could signify her virtue, leading her family, perhaps even her destiny. Though I see your point. She's in command for sure, the image reeks of status. The drapey, opulent fabric of her gown alone whispers "privilege." Editor: True. It’s not just any fabric; it seems almost liquid in how it falls. Then you have the hair…the single braid. That's odd, no? Was it a specific symbol? Curator: Precisely! While elaborate hairstyles were en vogue, a simple braid could represent modesty, and even accessibility. It's an interesting contrast with the overt display of wealth. The background too with the barely-there, shadowy figure offers a surreal backdrop, highlighting that sense of crafted unreality. Editor: Shadows hiding things again, and I find my eye going back to her expression – slightly melancholy, perhaps? Does it hint at anything specific, like the weight of duty that comes with power and prestige, or even secret unhappiness? Curator: Absolutely! I think those slightly downturned eyes are critical. She presents strength but the soul seems like its just peeking through that perfect moment and revealing itself. The print acts as both a commemoration of the woman and her station in life as well as a window to what maybe a day in that woman's shoes looked like. It's interesting, what a little shading and tone can bring about in how we read a visual marker like this! Editor: Exactly. Well, now I can't stop imagining what a day in her shoes might have actually looked like...all this from one little gesture caught on charcoal, it seems. Curator: The power of symbolic portraiture at play! Fascinating, really, to unravel it all.

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