Portret van Catherine Clive by Alexander van Haecken

Portret van Catherine Clive 1735

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drawing, print, engraving

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portrait

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pencil drawn

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drawing

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baroque

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print

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pencil sketch

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charcoal drawing

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pencil drawing

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portrait drawing

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history-painting

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engraving

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rococo

Dimensions: height 354 mm, width 251 mm

Copyright: Rijks Museum: Open Domain

Curator: It strikes me as rather mournful, don’t you think? Almost as if the music she holds is a lament. Editor: We’re currently observing "Portret van Catherine Clive," crafted in 1735 by Alexander van Haecken. This engraving offers a detailed representation of its subject. Focusing on the interplay of light and shadow. Note the carefully constructed composition, which subtly directs our gaze. Curator: Light and shadow play is right! The fabric of her dress practically shimmers. And yet, it is those dark pools gathered in the folds of her gown that make me uneasy, almost like a storm gathering beneath all that finery. What do you make of the column in the background? It’s more of a shadowy suggestion, really. Editor: Ah, yes, the column! It introduces a classical element, grounding the portrait in a tradition of power and permanence. Yet, as you note, its incomplete form also hints at the transient nature of earthly grandeur, offering a semiotic commentary on the human condition. It could also refer to the popular stage design of that era. The subject, by the way, was a well-regarded actress and singer, as you can perhaps gather from the score she is carrying. Curator: Right, she’s grasping those pages almost like a lifeline! All those tiny black notes… like secrets. Do you think this piece speaks to the nature of performance, the artist and the act of pretending, or more directly to Clive herself? Maybe it tries to reveal some hidden inner life? Editor: Intriguing thought! But formally speaking, the composition emphasizes balance: the way her gaze meets ours is echoed by the score open in her hands. Furthermore, the curve of her dress answers to the soft, implict curve of the curtain backdrop. One could deconstruct this visual grammar endlessly! Curator: Well, for me it feels so intimate and sad—it's just a glimpse into the soul, not geometry. In either case, it stays with you, this vision. Editor: Indeed, an artwork layered with technique and mystery. One could ponder this artwork for quite some time.

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