Gezicht by Anonymous

Gezicht 1600 - 1670

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pencil drawn

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mechanical pen drawing

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pencil sketch

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old engraving style

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junji ito style

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personal sketchbook

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pen-ink sketch

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limited contrast and shading

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pen work

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sketchbook drawing

Dimensions: height 205 mm, width 145 mm

Copyright: Rijks Museum: Open Domain

Curator: What we have here is a work entitled "Gezicht", created sometime between 1600 and 1670. It is currently held in the Rijksmuseum. While the creator remains anonymous, the pen work definitely leaves an impression! Editor: My word, that's a raucous bunch! Looks like a scene straight out of a slightly unsettling tavern. Everyone is crammed together; their faces are intense, verging on manic. There is an unsettling balance of comedy and discomfort... quite striking. Curator: Indeed. Consider the cultural context of the time. The 17th century Netherlands, a society undergoing rapid changes with new social structures and behaviours coming into view. Editor: That definitely rings true looking at how closely knit, perhaps suffocatingly so, everyone is assembled. I cannot help but ponder whether it shows how gossip, critique, and the scrutinizing of personal lives were becoming rife within social dynamics? The composition reinforces such interpretation as the gaze and focus of almost all the figures within it seems to be solely directed at what’s immediately at the composition’s heart. Curator: And note the clear narrative being built: there is the seated character; is he the epicenter? And is that another one looming with a pitcher held above? There are definitely themes of social control being displayed in a dramatic format here. Editor: Social control, but maybe also societal anxieties and the theatre of daily life, too. The dark lines definitely seem to accentuate a certain ominous quality of mundane events. The lack of sharp contrasts definitely hints that such kind of "spectacles" were extremely common occurrences, to be recorded and displayed. Curator: Absolutely, art from this era often served as a form of social commentary. Prints such as this are fascinating, serving not only to record but also critique prevailing mores. Editor: A critical reflection, cast with the weight of personal history and the ever-unfolding narrative of human experience. It surely does feel both familiar and bizarre!

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