Boomstronk 1931

Simon Moulijn made this print, Boomstronk, which translates to Tree Trunk, using etching. The dense hatching suggests a process of layering, building up the image through repeated passes and adjustments. You can see how the artist has coaxed form out of the darkness. Look closely and you’ll notice the stark contrast between the gnarled, decaying trunk and the softness of the surrounding foliage. It’s almost like Moulijn is using the material properties of the ink to explore themes of decay and regeneration. The trunk is riddled with textures and crevices. This little area of knotty texture here in the middle seems to capture the trunk's history and the relentless forces of nature. I’m reminded of Whistler's etchings and his ability to find beauty in the everyday. Both artists see art as a conversation that stretches across time. And, much like nature itself, their art reminds us to embrace ambiguity.