Portrait of a Girl by Gerard ter (I) Borch

Portrait of a Girl c. 1630 - 1635

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drawing, paper, ink

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portrait

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drawing

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dutch-golden-age

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caricature

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paper

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ink

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portrait drawing

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genre-painting

Dimensions: height 98 mm, width 76 mm

Copyright: Rijks Museum: Open Domain

Editor: This drawing, "Portrait of a Girl," by Gerard ter Borch, made with ink on paper around 1630, is unexpectedly captivating. There's a peculiar mix of sweetness and almost a caricatured element in her expression. How do you interpret this work? Curator: Indeed. Consider how portraiture in the Dutch Golden Age, while often celebrating wealth and status, also hinted at deeper psychological narratives. Look at the girl’s gaze – does it strike you as innocent, knowing, or perhaps subtly melancholic? The pearl necklace symbolizes purity, but does it feel harmonious, or somewhat ironically placed considering the slight disquiet of the overall effect? Editor: That's a great point about the pearls. I hadn't considered the potential irony. The contrast between the idealized symbol and her unconventional features makes it more complex. Curator: Precisely. It could be argued that Ter Borch used such imagery not simply to depict, but to prompt reflection on innocence and experience. Could this "girl" represent a meditation on beauty, or the perceived societal pressures faced by young women then...and maybe even now? Editor: That's fascinating. It completely shifts my understanding, makes me think beyond the surface and consider social context too. Curator: And what new personal impressions might that understanding evoke? The work's continued resonance often lies not just in *what* we see, but what echoes it sets off within us across the centuries. Editor: I definitely see how this seemingly simple portrait opens a whole world of interpretation about beauty and society! Thanks for sharing your expertise.

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Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

Although Gerard ter Borch did not pursue a career as a professional artist, he continued to draw throughout his life. He also instructed five of his thirteen children (from three marriages) in the rudiments of drawing. Along with copying prints, limning family members was a useful exercise. The artist here probably drew a portrait of his daughter Sara.

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